Spirit of Women Changemakers

Spirited Bodies is really proud and honoured to be part of The Fawcett Society’s Spirit of Women Changemakers conferences in November, in London and Manchester. The Fawcett Society is the UK’s leading charity campaigning for gender equality and women’s rights. They want to see a society in which individuals can fulfil their potential regardless of their sex, and are bringing “individual community activists and organisers together with those who have driven change at the highest level to identify the most powerful ways to create change.”

I have been invited to create women’s workshops to complement the programme, by offering a practical session where delegates may try their hand at life drawing, perhaps even some life modelling. Spirited Bodies wants all women (and all people in fact) to feel comfortable in their bodies and fulfil the potential of their whole self. By working to eliminate body image and confidence issues, we want people to be free to embrace all of life, without being constrained by limiting beliefs often imposed by the media.

Similar to when we are at Women of the World Festival at Southbank Centre, these workshops will include demonstrations by prearranged models – some will be professional life models and others may be first-timers. To accompany their poses, recorded interviews of previous Spirited Bodies models will play, and in these voices may be heard the complex reasons that women come to try modelling with us, and what they gain from it.

Many find this a moving spectacle that reaches far into the interior of some models, going beyond familiar and traditional life drawing standards. The artist is halted in their sketching, arrested by unexpected revelations of peculiar intensity. They had a set out to draw a body – in itself, not simple – but are suddenly forced to confront a deeper reality. The model they are drawing is completely still… but had they considered that perhaps she is always so? She may not be a professional life model, though you might not realise it if you just walked in the room and found her in pose. At other times her paralysis is more evident as she is only without her wheelchair when reclining.

This is just one example of myriad stories behind the women who have posed at Spirited Bodies. The aim is to reach women who would otherwise not have the opportunity to model. They might be ill, very shy, anxious or somehow disabled, and this is a chance to experience their bodies as part of the creation of art, to be appreciated by drawing artists in a safe and guided environment where there is no pressure except their own desire to challenge themselves.

The atmosphere is totally supportive and respectful and every effort is made to accommodate different and unusual needs where appropriate and possible.

The London event is on Saturday 12th November and takes place at St Thomas’ Hospital.

The Manchester event is on Saturday 19th November and takes place at The Studio.

Our workshops will be from 2:30pm – 3:30pm.

If you identify as female and would like to take part in one of the events as a model, please email me at info.spiritedbodies@gmail.com stating your reasons – there are limited places. This is not paid modelling, but nor would you need to pay to come to the event. Similarly if you are a female life drawing artist in or near Manchester who would like to come and draw at that event, please get in touch. It is great to have some experienced drawers present! It looks like we may not have space to accommodate the same in London unfortunately, however if that changes I shall put the word out. In any case, you can always buy a ticket to the conference and join us that way, as well as seeing lots of inspiring talks. I will be bringing drawing boards and materials.

During the morning at each conference there will be talks and panel discussions that address the subject of improving women’s lives in a range of ways. After lunch there will be practical workshops for attendees to experience some grassroots approaches to enhancing women’s lives. Spirited Bodies naturally fits in here, on the matter of body image, part of our health and well being. There is lots more information here, including how to buy tickets.

Key speakers include Dame Jenni Murray, Journalist, broadcaster and presenter of BBC Radio 4’s Women’s Hour; Baroness Jane Campbell, Co-Chair of the All Party Parliamentary Disability Group; Stella Creasy, MP; Caroline Criado Perez, Journalist, broadcaster and campaigner; Gail HeathManchester Women’s Aid; and Becky Olaniyi, Sisters of Frida. I am humbled to be among their number, and very happy to return Spirited Bodies to a more political sphere.

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© Spirited Bodies 2016, photograph by www.lidialidia.com at Loving Bodies event, April ’16

NB I am not intending to photograph the event at Spirit of Women Changemakers conference.

A few paintings and drawings from one of our recent women’s events, in July at Lewisham Art House – called ‘Sound & Movement with Life Drawing’

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© Irene Lafferty
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© Irene Lafferty
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© Kathy Dutton
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© Kathy Dutton

 

 

 

All the Spirited Nudes, in Edinburgh

FAO Esther: an email arrived from Scotland on 22nd July. All The Young Nudes wondered if I might be about in Edinburgh in August, to hold an event with them for the festival. We hadn’t been thinking of it but it was within the scope of my schedule and I didn’t hesitate to book it in. It had been 3 years since my last trip there, with Lucy and Thelma. We had done 3 events across Glasgow (with ATYN) and Edinburgh (with Edinburgh Drawing School at Marchmont St Giles parish church centre, and at Arts Complex, St Margaret’s House).

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At the end of the evening, Steve and I clearing away. Taken by a model

The event would be held at Studio 24, an alternative nightclub in the heart of the city, and a festival venue. Joanna, director of ATYN, reckoned we could comfortably fit about 10 models in the space. Last time we’d collaborated and I’d put a call out, just 3 models had come forward and all were professional. We had found first-timers for the church gig, but I considered that perhaps ATYN was more daunting at the time, for a newbie. The full-on music and nightclub atmosphere might not suit the more nervous types we were appealing to. It required a certain amount of confidence just to step up to that opportunity in the first place. In addition back then we weren’t so well known, especially in Scotland. It was the first time that such an occasion had been presented and the response was more tentative.

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Models in situ, all ready for their audience

By contrast, this time the people properly groomed by social media no doubt, were ready for us. I was inundated with interest from potential and professional models alike. In the interim years ATYN have expanded and not only operate in Glasgow and Edinburgh, but also with regular weekly sessions in Dundee and Aberdeen. Joanna is furthermore preparing to export her brand of life drawing abroad to beyond the UK and even Europe, such is the popularity and accessibility of her unique set-up.

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All artworks & photos in this post are from the event on 23/08/’16 at Studio 24

It seems in many parts of the UK life drawing (and modelling) have expanded, gone mainstream; so it was lovely to feel the increased appetite and enthusiasm. It in fact felt greater than presently in London where ever more similar opportunities are available and there has possibly been a saturation.

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I quickly signed up 10 models – a good mixture of experienced and not, male and female. ATYN are famous for their music playlists and as I constructed a pose schedule including a couple of (now familiar to the scheme) movement poses, I liaised remotely with the music man. I remembered the wonderful eclecticism of the score last time, and while I wouldn’t attempt to unduly affect Pete’s choices, I was really keen to align the movement poses accordingly. A few days before the gig he sent over his Spotify setlist for our session and I spotted Clark’s Upward Evaporation; a suitably timed and ambient piece that lent itself perfectly to the seeds slowly growing into full bloom pose. Also catching my ear was Oneohtrix Point Never’s Ships Without Meaning, perfect for the models in a circle making a chain of movement pose. Just one moves very slowly at a time, until s/he touches the next, and hence the chain of movement.

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Models as seeds about to grow

Having emailed the models with extensive instructions and notes on what to expect, they were already well briefed and we easily got into our groove during the bonus hour before the event in which to practise. We physically ran through the tableaux and I outlined some practicalities. Despite a few last minute cast changes and at one point having a total of 12 models arranged, when the time actually came, there were as originally planned 10 models including my partner Steve. Steve wasn’t in all the poses particularly the shorter ones, rather helping me to photograph them, but he joined in 4.

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Steve joins in this scene of a Roman bacchanale

After a beautiful day climbing Arthur’s seat and the nearby hills, we arrived early and met Charli who was managing for ATYN, as well as Keira who was also involved. We set up a space against a brightly painted wall of the rectangular space, opposite the bar. There was strong (blinding) lighting directed on the model space, and a separate corner allocated for models’ belongings. The DJ booth was in another corner and Charli was happy to manage the music so that it was quiet when I needed to address models between poses, for the set-up and let the artists know the pose length.

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The first pose

I was really pleased with how smoothly everything ran, all the models working so well together (mostly strangers to each other) and good vibes all round. Here is the pose schedule as it finally flowed on the night (some poses were shorter than planned as the break was longer, and set-up each time had to be factored in too);

5 minutes dynamic pose with all models connecting just minimally
10 minutes models in a circle, chain of movement with one model slowly moving at a time until s/he touches the next
10 minutes models pose as if family or anyone from their lives who may be shocked to see them life modelling walks in (if there is no one to be shocked that’s fine too!)
15 minutes models create gangster poses, think Reservoir Dogs
15 minutes a scene of a Roman bacchanale
15 minutes break
5 minutes slow movement growing from a compact to an expansive pose
10 minutes scene of witches ceremony
25 minutes scene at the beach

 

Here are some more images from the session.

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Caught unexpectedly nude!
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Confident expressions
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Laidback
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Bewitched

And here is a little feedback from one of the models I want to share;

“So glad I got to take part in this and can’t thank you enough for the opportunity! Modelling together for the first time was definitely the best way, I as a new comer to life modelling could get inspiration of others and also connecting with people in such a vunerable setting is inspirational and phenomenal! The moving poses were one of my favourites both the short growing pose and the group connecting and moving with one touch was so unique and inspiring! I really hope to take this experience and use it as inspiration if I ever get another chance to do this again! Thank you again and hope to see you again!” Aimee.

So sweet, makes me feel very warm🙂

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We look forward to taking Spirited Bodies to Scotland again sometime, as well as to other destinations. With gratitude for this beautiful calling.

Steve will also be documenting the event shortly on his blog, with quite a few more of the superb photos!

Collaborative Sound, Draw & Pose

 

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by Irene Lafferty
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by Kathy Dutton

A fusion of art forms, experimental creativity, and a healing space.

Meditation circle to begin; focus and calm.

Slowly moving as a group, in a circle

Like flowers growing towards the sun.

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by Kathy Dutton
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by Steve Carey
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by Philip Copestake
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by Irene Lafferty
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by Irene Lafferty
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by Kathy Dutton

A pregnant woman and a midwife pose together.

A large paper everyone draws on

Outlines of women on top of each other, coloured in.

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by Kathy Dutton
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by Kathy Dutton
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Women’s collaborative drawing led by Kathy Dutton
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Men and women collaborative drawing led by Kathy Dutton

Playing instruments we didn’t know the names of

Spread out on a picnic rug to sample.

A group symphony of sound, and a tableau of nudity.

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by Philip Copestake
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Women making soundscape

Here is the women’s collaborative soundscape, led by Sarah Kent.

 

Some feedback from the women’s session

“I can see retrospectively that my belief and trust in myself got totally wrapped up into the dynamic of my relationship with my ex. And I had lost my faith in myself. I didn’t think my body was mine anymore. When shit hit the fan it was my body that I blamed and victimised. When I gave myself permission to process what had happened, I had the revelation that I don’t exist to please anyone else. When I posed for Spirited Bodies I felt liberated. To be naked, without sexual purpose, was the ultimate declaration of self. This is ME. This body is mine.” Ellie.

“I really enjoyed the day, key thoughts:
– very alternative
– open and welcoming
– a bit experimental which is probably not for everyone e.g. Joint drawing was a bit 1960s art ‘happening’.
– the music and movement component was interesting and Challenging to draw.
– I enjoyed the modelling experience and felt very comfortable. I guess I also realised how comfortable and at home i felt in my body and pregnant. it felt therapeutic in some ways.” Philippa.

Here is the mixed collaborative soundscape, again led by Sarah Kent.

Kathy Dutton writes of the day

“#drawing #live capturing the essence of continuous movement #observing each second and putting it onto paper #softly drifting into sound and seeing only. #spiritedbodies

1 minute #drawing capturing the #curve of the body and a #moments #movement #spiritedbodies

During the event ….I felt our minds connected in a way that made it easy to work in silence…with only the sound and our intention. The circle at the start and the spiral within the meditation rippled into our consciousness subtle yet present… it surprised me how a few people drew the spiral we connected with in the visualisation
The soundscapes reached into us and made us melt into energy… connected by the sound into each moment, and the intense heat of that day.”
And here is Steve Ritter’s blog post about the mixed session (for a more accurate description of what happened!)

Returning to Scotland

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© Tatiana Moressoni, from Spirited Sound, November ’15

We are returning to Scotland as part of the Edinburgh festival, for one evening with All The Young Nudes on Tuesday 23 August, 8pm to 10pm, at the legendary Studio 24.

We invite those who would like to try life modelling but who wouldn’t ordinarily have the chance, as well as seasoned professional models who would enjoy creating group tableaux with us. This is unpaid but we are neither making a profit, nor even covering all expenses. We do this as a one-off because we love it, and want to share that passion in many exciting places.

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by Alex B, with The Drawing Theatre, 2012

Modelling as a group is different to solo, with its own dynamics and challenges. We will be there to offer support and guidance for those new to modelling, and to connect with like-minded professionals. This is a liberating practice with many benefits for all involved.

There are limited places for models so we would ask you to email us well in advance if you are interested, telling us a little about your reasons for wanting to join in. Email Esther at info.spiritedbodies@gmail.com

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© Tatiana Moressoni, from Spirited Sound, November ’15

We were last in Scotland 3 years ago and it was an absolute treat. On that occasion we worked with 3 different groups between Glasgow and Edinburgh over a few days. This is much shorter, as it was ATYN who got in touch to see if we might be about, and it’s all been arranged in the last few days.

ATYN are unique for being ‘life drawing set to music’, and not background either. It’s a bit like being in a nightclub, in fact it was last time in Glasgow, and it will be again this time in Edinburgh. Studio 24 is an alternative music venue that has been around since 1995 – a very special year for me as far as clubbing goes!

Really looking forward to taking Spirited Bodies outside London again, and reconnecting with our Scottish brothers and sisters, especially in this post-referendum madness.

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© Tatiana Moressoni, at Spirited Sound, November 2015

Sound, Movement & Drawing

On Saturday 23rd July there will be Sound, Movement & Life Drawing in New Cross, South East London; for women, as well as mixed. Follow link for details.

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I get really nervous about (life) drawing and it’s because I am uncomfortable doing things I am not confident at. I overly criticise my marks and that harsh voice in my head surely inhibits my ease of flow when I put marker to paper. It’s there before I have even started! Worrying how the drawing will look relative to how the model actually looks, and how other (better) artists fare in their efforts. I am especially anxious if the group is busy and/or there is likely to be a tutor peering over my shoulder telling me how it ought to work. I will freeze, ashamed of my attempts and be unable to take in their advice. I feel even more out of sorts considering I am so often on the other side, pulling the most contorted angles I can muster – yet can I cope with a talented model giving that right back to me?

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All drawings in this post by Kathy from several recent events

I exaggerate. I have been leading modelling and drawing workshops for long enough for my own advice to have penetrated my nervous system. Sometimes I relax and am unbothered by the outcome. It very much is about state of mind. Sometimes I even like what I produce.

I felt extra awful on occasion trying to draw my partner (who is a professional life model). I think I felt like I of all people ought to know his body and be able to capture it well, I mean I’ve looked at it long enough! But it doesn’t translate so easily, and most of all it takes practice, and worrying less!

wind

Kathy Dutton is going to lead the drawing side of things at our next workshops on 23rd July. Her style is very accessible to newcomers who don’t want to be bombarded with technical wizardry, but more gently guided towards expressing their reaction and interpretation of the unfolding tableaux. Having the confidence to draw is liberating, and confidence-enhancing, just as being able to pose nude can be.

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The modelling side of things has an emphasis on movement this time, as in very slow movement that allows us to respond more fluidly to Sarah Kent‘s soundwaves. Lewisham Arthouse is on a busy road and I have posed there many times. The sound of the traffic can be heavy, however with powerful gongs vibrating, and other more delicate sounds from Sarah’s collection, we will be transported elsewhere!

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Sarah sounding a singing bowl at Loving Bodies, St John’s Church

This is a 3 way collaboration where we each bring our unique talents. I am a life model who specialises in (slow) movement poses and many of my bookings are focused that way. I think it’s a facility I have always had, developed on dancefloors in my teens, and in drama studios later on. I will be guiding, within participants’ capabilities and inclinations, very much working with individuals’ intentions.

Models may take a turn at drawing, and artists may swap too, which is the best way to understand each others’ roles. There may even be a chance to try making some sounds, whether voice or borrowing Sarah’s instruments.

Poses are likely to last around 20 minutes and involve some slow movement, as well as stillness. Drawings may be collaborative, on large pieces of paper on the floor or wall as is Kathy’s way, and models will move together also, relating to one another more closely as the session evolves. Sometimes they may respond more to the sounds than each other.

The photographic images are from the Loving Bodies event we co-created in April. They were taken by Lidia (www.lidialidia.com)

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Sarah playing her flute

For more details of the workshops taking place on Saturday July 23rd, see here!