Part 2 of my Interview with a New Model & more images from Notting Hill

I always find it refreshing to hear from those newer to life modelling what it is they find so exciting about it. For Liz it was many things – the way that modelling encourages you to be just the way you are. Whichever body type you are, that is what you accentuate. You cannot hide from yourself. She has long felt her bottom to be too large, disproportionate to the rest of her figure. As a life model her bottom becomes a feature which artists consider her best part, to be shown off.

Liz has only modelled twice; once at Spirited Bodies and once for an artist who met her at Mortlake. She likes the way it makes you want to look after your body so that you do feel good about presenting it. This is a positive side effect I agree, and something I sometimes forget. It’s nice to be maintaining my body not just for myself or a lover, but for all the people I work with too.

A greater interest in art was another plus offset by life modelling Liz found. She wants to see what artists look for and what has been done before.

She has a strong idea about the professionalism involved in life modelling, largely due to being advised by Morimda. She says that the model should never embarress an artist. Many poses for example, could be erotic or not depending on your facial expression. By behaving in a very straight way, you avoid any confusion or awkwardness. This is again something I have just gotten used to. Life modelling I think has allowed me to regain a sort of innocence, since I am not about making erotic art particularly but do love to be expressive and am naturally quite a sexy person. Thinking about it, that is a big gift, to be myself unselfconsciously.

At Spirited Bodies Liz says, you learn from watching others model. First you do a simple pose, then you see someone else do something more free and expressive. Now she thinks of asking artists what they would like to see in her. This is a good tactic; personally I have several ways I can pose or styles, and I know that some artists prefer natural looking poses while others like extremely posed positions. It can be worth checking how they roll or if there is something in particular they are looking for.

Liz feels more aware of her own beauty now because of displaying herself. She is always looking for new inspiration artistically, and she is enthused by the way that every artist can show her something new about herself. Just as every model brings a position out in different ways.

This piece will be continued, and here follows some more images from Spirited Bodies at Notting Hill Visual Arts Festival.

rugby scrum!
pen and ink
on top of a pile of bodies (undrawn) posed these 2 sirens holding a flower!
from below (models were raised on a platform)
again the scrum – 5 or 10 minute pose
back to back in a circle
women on top of bodies!
Hooray for colour
the corpses below
This artist made very large paintings on the floor which I loved watching her do. I don’t think they come out so well on here unfortunately

Author: estherbunting

Performer, artist, writer

2 thoughts on “Part 2 of my Interview with a New Model & more images from Notting Hill”

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