‘Girl in Suitcase’ ~ a one woman life modelling story with musicians

Before I get back to Spirited Bodies I am rebirthing my theatre. On Friday will be the first time my new performance will be watched.

It is a one woman life modelling spectacular. I will be with 4 musicians; a string ensemble as well as a percussionist, and the audience may draw the show if they wish. It is not entirely nude, there are a few flimsy costumes; a skip-raided set, and a soundtrack for the first scene which I created before I had met the musicians. Actually that scene is recycled from previous shows I have put on because I like it so much. The opening suitcase sequence sets the tone for a fucked up inversion of life drawing set-up. The model is immediately on edge, likened to a trafficked slave, and itching to escape. She makes her come-back, reverses roles with the ‘other character’ – a sinister older woman, and starts to take back her power.

When I started writing this show I thought it would be a snapshot of myself, amplified for the timebank. That’s what it says in the blurb which I wrote before I got to the script. While I was sketching out new scenes, stuff was happening with Mum. Each time I visited seemed more pertinent. Dad was struggling, and my last version of ‘Girl in Suitcase’ from Edinburgh ’11 kept creeping back into my awareness, the importance of telling that story. In a new way. With one actor. Mum was holding on to life as powerfully as ever, but sustaining her life was costing Dad on every plane.

The play is not exactly what it says it is, but it is where I am now, and I have no doubt it will evolve over time.

Working with ‘The Next Room’ has been a revelation. Suddenly there are others involved and they are not exactly in my space, though they share it. They bring new enthusiasm, and are the first people to respond to my script. I realise I need to focus on what their role is and be clearer in my direction, but luckily they instinctively understand and I feel most privileged to have them on board.

Here are some rehearsal shots by Chris Hermon.

During rehearsal I am not nude
During rehearsal I am not nude

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Roddy Skeaping leads 'The Next Room' collective of musicians
Roddy Skeaping leads ‘The Next Room’ collective of musicians

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Ines
Ines

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Tobias
Tobias

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Damaged a calf in this rehearsal, hope it's healed in time!
Damaged a calf in this rehearsal, hope it’s healed in time!

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My violin is making a come-back!
My violin is making a come-back!

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The show is on at The Telegraph at The Earl of Derby pub at 87 Dennett’s Road, SE14 5LW 

on this Friday 28th March at 8pm. Tickets are £3 (£1 concession) and can be bought here or on the door most likely.

If you are keen on drawing you are welcome to bring an easel. There are tables and we have some boards at the venue, and drawing materials. I will encourage everyone to draw, but you may simply watch if that’s more your bag. The poses are not very long if you are familiar with life drawing, and some are movement scenes, but if life art is new to you, then 5 minutes of stillness may feel like a long time. On the other hand, when there is no dialogue, there is music.

 

Author: estherbunting

Performer, artist, writer

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