Sound, Movement & Drawing

On Saturday 23rd July there will be Sound, Movement & Life Drawing in New Cross, South East London; for women, as well as mixed. Follow link for details.

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I get really nervous about (life) drawing and it’s because I am uncomfortable doing things I am not confident at. I overly criticise my marks and that harsh voice in my head surely inhibits my ease of flow when I put marker to paper. It’s there before I have even started! Worrying how the drawing will look relative to how the model actually looks, and how other (better) artists fare in their efforts. I am especially anxious if the group is busy and/or there is likely to be a tutor peering over my shoulder telling me how it ought to work. I will freeze, ashamed of my attempts and be unable to take in their advice. I feel even more out of sorts considering I am so often on the other side, pulling the most contorted angles I can muster – yet can I cope with a talented model giving that right back to me?

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All drawings in this post by Kathy from several recent events

I exaggerate. I have been leading modelling and drawing workshops for long enough for my own advice to have penetrated my nervous system. Sometimes I relax and am unbothered by the outcome. It very much is about state of mind. Sometimes I even like what I produce.

I felt extra awful on occasion trying to draw my partner (who is a professional life model). I think I felt like I of all people ought to know his body and be able to capture it well, I mean I’ve looked at it long enough! But it doesn’t translate so easily, and most of all it takes practice, and worrying less!

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Kathy Dutton is going to lead the drawing side of things at our next workshops on 23rd July. Her style is very accessible to newcomers who don’t want to be bombarded with technical wizardry, but more gently guided towards expressing their reaction and interpretation of the unfolding tableaux. Having the confidence to draw is liberating, and confidence-enhancing, just as being able to pose nude can be.

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The modelling side of things has an emphasis on movement this time, as in very slow movement that allows us to respond more fluidly to Sarah Kent‘s soundwaves. Lewisham Arthouse is on a busy road and I have posed there many times. The sound of the traffic can be heavy, however with powerful gongs vibrating, and other more delicate sounds from Sarah’s collection, we will be transported elsewhere!

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Sarah sounding a singing bowl at Loving Bodies, St John’s Church

This is a 3 way collaboration where we each bring our unique talents. I am a life model who specialises in (slow) movement poses and many of my bookings are focused that way. I think it’s a facility I have always had, developed on dancefloors in my teens, and in drama studios later on. I will be guiding, within participants’ capabilities and inclinations, very much working with individuals’ intentions.

Models may take a turn at drawing, and artists may swap too, which is the best way to understand each others’ roles. There may even be a chance to try making some sounds, whether voice or borrowing Sarah’s instruments.

Poses are likely to last around 20 minutes and involve some slow movement, as well as stillness. Drawings may be collaborative, on large pieces of paper on the floor or wall as is Kathy’s way, and models will move together also, relating to one another more closely as the session evolves. Sometimes they may respond more to the sounds than each other.

The photographic images are from the Loving Bodies event we co-created in April. They were taken by Lidia (www.lidialidia.com)

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Sarah playing her flute

For more details of the workshops taking place on Saturday July 23rd, see here!