A fusion of art forms, experimental creativity, and a healing space.
Meditation circle to begin; focus and calm.
Slowly moving as a group, in a circle
Like flowers growing towards the sun.
A pregnant woman and a midwife pose together.
A large paper everyone draws on
Outlines of women on top of each other, coloured in.
Playing instruments we didn’t know the names of
Spread out on a picnic rug to sample.
A group symphony of sound, and a tableau of nudity.
Here is the women’s collaborative soundscape, led by Sarah Kent.
Some feedback from the women’s session
“I can see retrospectively that my belief and trust in myself got totally wrapped up into the dynamic of my relationship with my ex. And I had lost my faith in myself. I didn’t think my body was mine anymore. When shit hit the fan it was my body that I blamed and victimised. When I gave myself permission to process what had happened, I had the revelation that I don’t exist to please anyone else. When I posed for Spirited Bodies I felt liberated. To be naked, without sexual purpose, was the ultimate declaration of self. This is ME. This body is mine.” Ellie.
“I really enjoyed the day, key thoughts:
– very alternative
– open and welcoming
– a bit experimental which is probably not for everyone e.g. Joint drawing was a bit 1960s art ‘happening’.
– the music and movement component was interesting and Challenging to draw.
– I enjoyed the modelling experience and felt very comfortable. I guess I also realised how comfortable and at home i felt in my body and pregnant. it felt therapeutic in some ways.” Philippa.
Here is the mixed collaborative soundscape, again led by Sarah Kent.
Kathy Dutton writes of the day
“#drawing #live capturing the essence of continuous movement #observing each second and putting it onto paper #softly drifting into sound and seeing only. #spiritedbodies
1 minute #drawing capturing the #curve of the body and a #moments #movement #spiritedbodies
During the event ….I felt our minds connected in a way that made it easy to work in silence…with only the sound and our intention. The circle at the start and the spiral within the meditation rippled into our consciousness subtle yet present… it surprised me how a few people drew the spiral we connected with in the visualisation
The soundscapes reached into us and made us melt into energy… connected by the sound into each moment, and the intense heat of that day.”
On Saturday 23rd July there will be Sound, Movement & Life Drawing in New Cross, South East London; for women, as well as mixed. Follow link for details.
I get really nervous about (life) drawing and it’s because I am uncomfortable doing things I am not confident at. I overly criticise my marks and that harsh voice in my head surely inhibits my ease of flow when I put marker to paper. It’s there before I have even started! Worrying how the drawing will look relative to how the model actually looks, and how other (better) artists fare in their efforts. I am especially anxious if the group is busy and/or there is likely to be a tutor peering over my shoulder telling me how it ought to work. I will freeze, ashamed of my attempts and be unable to take in their advice. I feel even more out of sorts considering I am so often on the other side, pulling the most contorted angles I can muster – yet can I cope with a talented model giving that right back to me?
I exaggerate. I have been leading modelling and drawing workshops for long enough for my own advice to have penetrated my nervous system. Sometimes I relax and am unbothered by the outcome. It very much is about state of mind. Sometimes I even like what I produce.
I felt extra awful on occasion trying to draw my partner (who is a professional life model). I think I felt like I of all people ought to know his body and be able to capture it well, I mean I’ve looked at it long enough! But it doesn’t translate so easily, and most of all it takes practice, and worrying less!
Kathy Dutton is going to lead the drawing side of things at our next workshops on 23rd July. Her style is very accessible to newcomers who don’t want to be bombarded with technical wizardry, but more gently guided towards expressing their reaction and interpretation of the unfolding tableaux. Having the confidence to draw is liberating, and confidence-enhancing, just as being able to pose nude can be.
The modelling side of things has an emphasis on movement this time, as in very slow movement that allows us to respond more fluidly to Sarah Kent‘s soundwaves. Lewisham Arthouse is on a busy road and I have posed there many times. The sound of the traffic can be heavy, however with powerful gongs vibrating, and other more delicate sounds from Sarah’s collection, we will be transported elsewhere!
This is a 3 way collaboration where we each bring our unique talents. I am a life model who specialises in (slow) movement poses and many of my bookings are focused that way. I think it’s a facility I have always had, developed on dancefloors in my teens, and in drama studios later on. I will be guiding, within participants’ capabilities and inclinations, very much working with individuals’ intentions.
Models may take a turn at drawing, and artists may swap too, which is the best way to understand each others’ roles. There may even be a chance to try making some sounds, whether voice or borrowing Sarah’s instruments.
Poses are likely to last around 20 minutes and involve some slow movement, as well as stillness. Drawings may be collaborative, on large pieces of paper on the floor or wall as is Kathy’s way, and models will move together also, relating to one another more closely as the session evolves. Sometimes they may respond more to the sounds than each other.
What a unique experience this was, and what deep treasures there were in sharing this. I’d had no idea what to expect, just I’d met Esther by chance at a local artists’ Open House and felt a strong resonance with her, and a sense in some (as yet unknown) way we were just who each other needed to meet, and an instant synergy pinged into existence. I was excited, intrigued, and hopeful we’d meet again (as we did soon after when Esther came to a Soundbath I ran.) So when Esther invited me to collaborate with her for Spirited Bodies at the Bargehouse, it was a wholehearted yes and Spirited Sound emerged effortlessly.
It felt a bit like jumping off a mountain beforehand into a completely new experience, however I completely trusted Esther’s vibe and knew we had the potential synergy for co-creation, though had little idea what form it would take. But what I felt in my bones was deep trust in our ability to hold a generative, emergent space together.
And so it came to be! I loved the collaboration. I loved the shared experience, all of us on the day in community co-creating in the moment, with each of our roles honoured and esteemed in our mutual unfolding of our next exploration and creation. The synergy felt nourishing and vitalising, a generative mutuality as we collectively emerged our next creation, and we all jumped off the mountain, again and again. I feel thoroughly initiated – into what I look forward to finding out…